
Bio
Born in the San Francisco Bay Area and raised in Southern California, Reginald Brooks graduated from Oregon State University with a degree in general science in 1970. Before fully completing a MS degree in cell biology, he moved his young family to Portland to obtain a degree in Medical Technology. After five invigorating years as a medical research specialist he returned to his true love... the visual arts. Thus began a long career as a painter and sculptor with a strong interest in realizing and expressing the amazing world that we inhabit... with a considerable interest in seeing the world without borders...without the overt distinction between the aesthetic, interpretive view of the visual arts and the seemingly plain, yet nevertheless interpretive view of science. Writings on mathematics and physics, both his own and others, have formed the underpinnings of much of his work over the years. New media net.art... work created on and designed to be experience on a computer... has been a new and very exciting part of his output since 2001. This medium has provided a natural collaborative venue for separate media (white papers, prints, drawings, paintings, sculpture and animations) to come together to present a more complete immersive experience to a global audience. He has exhibited his paintings and sculptures in a number of solo (Portland) and group shows across the country. 
Writings based on visual art, math, music and physics

2017  Page 41: TPISC III: Clarity & Simplification: Tree of Primitive Pythagorean Triples (ToPPT) (~ A MathspeedST Supplement~) eBook.
eBook
1 banana, 2 banana, 3 banana, 4 … and there’s so much more!
A simple curiosity on how even simpler Whole Integer Numbers (WINs), when squared, form a law that rules the Universe — indeed, SpaceTime (ST) itself — has been a source of awe and wonder for quite some time. This is the Inverse Square Law (ISL).
The “inverse” means it’s per area. When the WINs are squared, you get the area.
The forms and forces of Nature obey the ISL. The initial concentration of an impulse or influence of energy dissipates in a known manner as it expands out from its source. A wonderful and ubiquitous law in forming the ST that builds the Universe. And it doesn’t even need to travel to get there…it is known!
Now, on top of this beautiful law and all the magnificent forms and expressions it can offer, comes yet another sublimely beautiful law — or theorem — that also relates areas to significant form — the Pythagorean Theorem: the long, hypotenuse side squared = the sum of the two squared shorter sides of a 90°right triangle.
When these triangles are made solely of WINs, we have Pythagorean Triples (PTs).
The PTs are a major subset of the ISL and as such are both infinite in number and ubiquitous in distribution along with the ISL. Their structural beauty lies in the fractalnodes of slight asymmetry they give to the expanding expression of the ISL. They give new forms!
Not only can these PT fractals be located throughout the BBSISL Matrix, together they form a linked structure relating all the parts to the whole, in the form the Tree of Primitive Pythagorean Triples (ToPPT).
This clarity and simplification of form has become the focus of this work. The nonisosceles right triangles, rectangles and ovals of the ToPPT join with the isosceles right triangles, squares and circles of the ISL to generate our ST Universe — giving expression to the Universal mathematical constructs.
3 potato, 4 potato, 5 potato squared …
“BIM — BBSISL Matrix — is the geometry defining SpaceTime!”
MathspeedST: Leapfrogging Lightspeed FASTER than The Speed of Light
The MathspeedST Supplements:
• TPISC I: Basics
• TPISC II: Advanced
• TPISC III: Clarity & Simplification (ToPPT)
• TPISC IV: Details (coming)
• TPISC V: Exponentials (coming)
This is a multitouch, interactive ebook made with iBooks Author and published in the Apple iBooks Store.
Excerpt From: Reginald Brooks. “TPISC_IIIClarity....” iBooks.
Page 40: BIMtreeToPPT_AREAS: 12 Easy Pieces.
TPISC IIIV
12 Simple, but easy, AREA pieces.
This gives the visual geometry behind the equations.
Once you see how the AREAS — the whole BIM and BIMtree is about AREAS — reveal and give proof to many of the basic equations, you will be well on your way!
The Tree of Primitive Pythagorean Triples (ToPPT) grows outward to larger and larger PPTs and they are interconnected by AREAS.
Page 39: TPISC III: Clarity &Simplification: ~Tree of Primitive Pythagorean Triples (ToPPT ).
Simplification
Take the BBSISL Matrix (BIM)for short,
and reveal the Pythagorean Triples (PTs) embedded ubiquitously throughout.
The BBSISL Matrix not only reveals every possible PT — both Primitive PTs (PPTs) and their nonPrimitive PTs (nPPTs) children — it also uniquely defines the Tree of Primitive Pythagorean Triples (ToPPT).
The ToPPT presents only PPTs and each is only represented once.
The ToPPT "grows" like a tree from its 345 PPT forming a Trunk. The Trunk forms a Tertiary Branch. This 1st Tertiary Branch/Tier has a Cluster of 3 PPTs. Each PPT member of a Cluster forms the next, 2nd Tertiary Branch/Tier, now with 3 Clusters of 3 PPT each, or 9 PPTs, and so on. But are they related? Are they predictable? Can you see them on the
BIM?
The The Pythagorean – Inverse Square Connection, reveals the ubiquitous and intimately connected relationship between the simple, whole number Pythagorean Triple Triangles and the BBSISL Matrix! and the answers are YES, YES and YES!
The Quantum Entanglement Conjecture (QEC) is introduced at the end of this visual storyboard presentation. Let's get started!
201516 "TPISC II: The Pythagorean — Inverse Square Connection: Advanced ~A MathspeedST Supplement~"
There is a simple whole number (integer) matrix grid table upon — and within — that every possible whole number Pythagorean Triangle — a.k.a. Pythagorean Triple — can be placed, and proved. The Brooks Base Square  Inverse Square Law (BBSISL) matrix is an infinitely expandable grid that reveals ALL Pythagorean Triples — both Primitive Triples (PPT) and their nonPrimitive multiples (nPTT). An extremely simple geometric AREA proof of the Pythagorean Theorem — c^{2}=a^{2}+b^{2} — is built into the BBSISL matrix.
Not only does the Inverse Square Law describe, define and quantify our most important energies (and their expressions as force)— gravity, light, sound, electromagnetism... — the BBSISL matrix grid is composed of Pythagorean Triples crisscrossing over much of the entire grid. An intimate interconnection way beyond a simple, casual association has been revealed. The Dickson Method confirms, validates and provides insight into the generation of ALL Pythagorean Triples.
TPISC: INTRO to The Pythagorean — Inverse Square Connection ~A MathspeedST Supplement~, a new media net.art project, presents a summary Introduction and Overview" of this idea in a simplified form. There are NOW 6 parts to TPISC: The Pythagorean — Inverse Square Connection ~A MathspeedST Supplement~ as found on Art Theory 101 :
INTRO to TPISC I: Basics Intro overview (see below, 2014) TPISC I: Basics (white paper, see below, 2014), and now, TPISC II: Advanced (this 2015 iBook)
The actual white paper (TPISC) is packed full of visual media, charts and tables to follow the process of discovery. The relationships — connections and interconnections — between the BBSISL matrix and the Pythagorean Theorem (as Pythagorean Triples) is so vast that the process of simplifying it down to consistent, irrefutable and concrete visuals became the motivation and driving force of this entire project. This iBook (ebook), contains a wealth of advanced figures, charts and tables that bring entirely new insights to the fractallike Number Pattern Sequences that predictably pattern every Pythagorean Triple.
What is so amazing about the BBSISL matrix?
If you scan each Row/Column, only some have squared numbers. If they do, the squared numbers always come in pairsets. In every case, those square number pairsets are the AREAS of the two shorter sides ("a" and "b") of a Pythagorean Triple triangle. The longer hypotenuse (c) AREA is located on the Prime Diagonal — the diagonal line dividing the matrix grid evenly into two symmetrical halves!
This is their story, now with all the advanced findings.
2014 "TPISC: The Pythagorean — Inverse Square Connection: Basics ~A MathspeedST Supplement~"
There is a simple whole number (integer) matrix grid table upon — and within — that every possible whole number Pythagorean Triangle — a.k.a. Pythagorean Triple — can be placed, and proved. The Brooks Base Square  Inverse Square Law (BBSISL) matrix is an infinitely expandable grid that reveals ALL Pythagorean Triples — both Primitive Triples (PPT) and their nonPrimitive multiples (nPTT). An extremely simple geometric AREA proof of the Pythagorean Theorem — c^{2}=a^{2}+b^{2} — is built into the BBSISL matrix.
Not only does the Inverse Square Law describe, define and quantify our most important energies (and their expressions as force)— gravity, light, sound, electromagnetism... — the BBSISL matrix grid is composed of Pythagorean Triples crisscrossing over much of the entire grid. An intimate interconnection way beyond a simple, casual association has been revealed. The Dickson Method confirms, validates and provides insight into the generation of ALL Pythagorean Triples.
TPISC: INTRO to The Pythagorean — Inverse Square Connection ~A MathspeedST Supplement~, a new media net.art project, presents a summary Introduction and Overview" of this idea in a simplified form. There are two parts to TPISC: The Pythagorean — Inverse Square Connection ~A MathspeedST Supplement~:
INTRO to TPISC (This Overview) TPISC (white paper)
The actual white paper (TPISC) is packed full of visual media, charts and tables to follow the process of discovery. The relationships — connections and interconnections — between the BBSISL matrix and the Pythagorean Theorem (as Pythagorean Triples) is so vast that the process of simplifying it down to consistent, irrefutable and concrete visuals became the motivation and driving force of this entire project.
What is so amazing about the BBSISL matrix?
If you scan each Row/Column, only some have squared numbers. If they do, the squared numbers always come in pairsets. In every case, those square number pairsets are the AREAS of the two shorter sides ("a" and "b") of a Pythagorean Triple triangle. The longer hypotenuse (c) AREA is located on the Prime Diagonal — the diagonal line dividing the matrix grid evenly into two symmetrical halves!
This is their story.
 "MathspeedST: The Ubiquitous Information of Numbers (or, How Fractals Exceed the Speed Limit of Light)"
The General Ubiquity Rule (GUR) in effect, asserts that if you have a fixed numerical pattern that is ubiquitously present across all space and time (spacetime, ST), that information is present across the same, passing any need to actually travel or transports said information at or above the speed of light.
The Ubiquitous Information of Numbers, a new media net.art project, presents a summary of this idea in a somewhat playful form. The gist of the argument is as stated in the GUR above. A more local example of a checkered tablecloth is used to demonstrate the point. No matter how folded (or not), of whatever size, once you know the pattern of the cloth in any one grid square you know the the pattern of grids at any other spot on the cloth. Substituting the BBSISL (Brooks Base SquareInverse Square Law) matrix, with its fixed numerical pattern that expands across any and all sizes, spaces, and times of distribution, gives us exactly that: The Ubiquitous Information of Numbers.
2013
 "MathspeedST: Leapfrogging LightspeedST FASTER Than The Speed of Light"
The fundamental, Underlying Question: How can information be ubiquitous...effectively traveling FASTER than the speed of light? is examined in this ebook that brings together the white papers and new medial net.art projects on Brooks (Base) Square (BBSISL matrix), A Fresh Piece of Pi(e), Numbers of Inevitability, and more, examining the fundamental, underlying nature of SpaceTime (ST) itself as defined below the Observable Universe. Is there a connection? This free ebook is the complement to LightspeedST.
 LightspeedST: Leapfrogging @ The Speed of Light
The Ultimate Question: Why is the speed of light constant? is laid out in this ebook containing a detailed look at the 8+part series (below) examining the fundamental nature of SpaceTime (ST) and the role the constant "the speed of light" plays. Is there a connection? This ebook is a complementary work to MathspeedST.
 "LightspeedST: 0. "The Ultimate Question"
The Ultimate Question Intro to this 8+part series examining the fundamental nature of SpaceTime (ST) and the role the constant "the speed of light" plays. Is there a connection?
 "LightspeedST: 8. "Triad"
The triad of velocity, space and time ... ruminations.
 "LightspeedST: 7. Quark Portraits"
Part 7 of the now expanded series. Quark Portraits:
A quick reference to the I and Lquarks and the composite particles that they make. Includes reference charts, a quick look at L.U.F.E. and The LUFE Matrix, and a whole section on Spinor Rotation.
2012 "LightspeedST: 1. 20 Questions"
Part 1 of the 5part series. Twenty plus question examining the fundamental nature of SpaceTime (ST) and the role the constant "the speed of light" plays. Is there a connection?
 "LightspeedST: 2. 20 Answers"
Part 2 of the 5part series. Twenty plus answers to the 20+ questions, framed in bitesized chunks...the better to swallow and digest these tender new morsels. Lightspeed=ST suggests a new view of our Universe(s).
 "LightspeedST: 3. The Mechanics of SpaceTime (ST) ~A Portrait of SpaceTime~"
Part 3 of the 5part series. Actually, this "Portrait of SpaceTime" was written first. (Actually...really...this is all based on L.U.F.E., the Layman's Unified Field Expose´ from 1985. See Links.) The goal: in the most concise and succinct manner...and always with an eye on simplification...lay out the case for tying together the quantum nature of light with the gravitational dependence of spacetime. LightspeedST Parts 1,2,4,and 5 quickly followed as the antidote.
 "LightspeedST: 4. The Movie Script"
Part 4 of the 5part series. All text and no play doesn't mean anything more than the notion that every one's individual imagination will play out differently...because that is a good thing! And yet, there is something especially apropos about seeing the original intent...the roadmap to
 "LightspeedST: 5. The Movie"
Part 5 of the 5part series. As a visual journey, "LightspeedST: 5. The Movie" will quickly swoosh you...through moving images and text...up and over, down and through, the highlights of LightspeedST...leapfrogging @ the speed of light.
 "LightspeedST: 6. Links & References"
A quick References and Links page.
 "AFPOP: A Fresh Piece of Pi(e)...and the √2, too...Fractal  Fractal  Fractal"
"Circles and squares...as well as other geometric forms...have always been interrelated. Inherent in their geometry is the relationship of their linear elements to their areas...forming the basis of the Inverse Square Law (ISL), as formally presented in the Brooks Base Square (BBS) matrix. At their core, these geometric forms are based on three irrational, infinitybased numbers of proportion...π, √2 and φ...pi, the square root of two, and the golden mean. These core proportionbased relationships suggest that they may be acting as fractals in the formation of The Architecture Of SpaceTime (TAOST). Fractals of infinity.!"

"GoMAC: The Geometry of Music And Color, Parts II and III." How the natural, geometric divisions of the musical monochord and the color spectrum are inherently derived from the same universal law that informs how light, sound, electromagnetism, gravity...indeed, "The Architecture of SpaceTime" itself...behaves. That law is the Inverse Square Law (ISL) and it has a specific relationship to all the quantitative, whole integer numbers as shown in the Brooks (Base) Square matrix (BBS).
Part II of the threepart Geometry of Music And Art (GoMAC) series focuses on a visual journey of how the musical spectrum...and specifically the chromatic and diatonic scales...is based on the ISL.
A visual walkthrough and summary of key concepts relating the ISLderived Brooks (Base) Square, BBS, matrix with a geometrically derived division of both the musical monochord...resulting in the chromatic and diatonic major scale...and the color spectrum (as seen in GoMAC part III). Modulations around the Circle of Fifths and the Golden Rectangle are...key.
Based on "The Geometry of Music, Art and Structure...linking science, art and esthetics" white paper, "Geometry of Music And Color, I" new media net.art project, and the BBS matrix. Original soundtracks (A and B).
Part III focuses on a visual journey of how the color spectrum...and specifically the complementary colors of each hue, is based on the ISL.
A visual walkthrough and summary of key concepts relating the ISLderived Brooks (Base) Square, BBS, matrix with a geometrically derived division of both the musical monochord...resulting in the chromatic and diatonic major scale (part II)...and the color spectrum, in which color complements inside and outside of the 400750 nm visible spectrum dictate the colors that we perceive.
 "Numbers of Inevitability ~Let’s do a number on that!~" Number relationships are like the best and worst...the highest highs, lowest lows...of the most significant human relationships you have ever known. When they are really wrong it really shows and pretty much everyone can see it. And, when they are right...really right...they seem, well, almost inevitable.
2011 "The Architecture Of SpaceTime (TAOST) as defined by the Brooks (Base) Square matrix and the Inverse Square Law (ISL)"
The single most important concept to take from here is that not only is ST not rigid and static...indeed it is more like a fluid made of light, each quanta of which flashes on and off...pulsepropagates into and out of existence...at a frequency (and wavelength) according to its energy...and this fluid light ST unit resonates off a wave of energy at the peak of each pulseflash...that wave, like a pond ripple, fans out to infinity (or the edge of the Universe...which ever comes first) where it is absorbed back into the subPlanck event horizon (Singularity) to fuel the next round...communicating...passing on information...as to the location source and energy density...the amount and degree of its presence...its curvature...to every other ST unit throughout the Universe(s), BUT that the ST formation and curvature information propagation is informed, dictated and quantified by the matrix of BBS and the ISL...the bean counters par excellence!
 "Brooks (Base) Square interactive (BBSi) matrix: Part I: BASICS" ~ This "BASIC" introduction to the matrix grid and the simplest, most fundamental pattern of the numbers that are formed from the main, Prime Diagonal are presented in a step by step fashion in five different interactive, multimedia formats. The Prime Diagonal is none other than square of the axial numbers (1,2,3,...) forming the core of the Inverse Square Law sequence (1,4, 9,...).
All the numbers...and their many exquisite patterns...are derived directly from the Prime Diagonal numbers. This is Part I. Part II will follow and will present some of the more interesting patterns.
The Inverse Square Law defines how a force or influence (like energy or light) falls off in strength as the distance is increased. It is one of the fundamental relationship laws of the universe effecting everything from gravity to electromagnetism. It can not but help to also be part of the spacetime fabric. It's part of "The Architecture Of SpaceTime" (TAOST).
2010 "Brooks (Base) Square (BS): The Architecture of SpaceTime (TAOST) and The Conspicuous Absence of Primes (TCAOP)  the complete work (Rules 1177)"
2009 "Brooks (Base) Square (BS): The Architecture of SpaceTime (TAOST) and The Conspicuous Absence of Primes (TCAOP)  a brief introduction to the series"
The table of numbers that, while excluding the *prime numbers ... and only the *prime numbers ... reveals the number patterns that are primary ... primordial ... to the structure of the Universe.
This primordial matrix defines the Inverse Square Law (ISL) that informs gravity, light (electromagnetism) and atomic structure ... the underpinnings of that which we see as the observable Universe.
It is the architecture of spacetime itself ... that which ultimately informs ... that is, reveals its disposition that in turn presents the physical laws, and their expression, of light, gravity and the structure of matter ... that fundamentally defines the true structure of the Universe ... seen and unseen ... encompassing all matter (light and dark) and all energy (light and dark). The ISL is a key relationship describing the interplay of space and time.
It is postulated here that the true underpinnings of spacetime itself are inherently defined by numerical relationships ... numbers ... the numbers of Brooks (Base) Square (BBS).
 "GoMAS: The Geometry of Music, Art and Structure ...linking science, art and esthetics" ~ That simple geometric principles can be responsible for the
manifestation of the multitudes of beauty, diversity and richness of Nature is
further supported here in this paper. The InverseSquareLaw (ISL), a simple
geometric principle, is shown to be the common link between physics, chemistry,
biology, and the science and esthetics of music and art. Nature has
incorporated the ISL as the major game rule to building the cosmos. Our
perception of pleasing form, color and sound is prophetically built into our
sensory being, our biologic evolution, and our structural past.
2008 "The Conservation of SpaceTime" ~The role of the Higgs, graviton and photon bosons in defining Dark Matter = Dark Energy (the inverse of) in the fractal Universe~
 "Quantum Gravity ...by the book" ~merging Quantum Mechanics with Gravity
2007 "The History of the Universe  update  'The
Big Void'" ~A short, update supplement to "Dark Matter = Dark Energy (the inverse of): The Conservation of Spacetime by
The Conservation of Force" and "The History of the Universe in Scalar Graphics."
2006 "The Butterfly Prime Determinant Number
Array (DNA) ~conspicuous abstinence~" ~The role of the highly ordered positive space pattern of the
odd nonprimes in revealing the reverse, negative space pattern of the primes as a determined number
array is revealed.
 "The Butterfly Prime Directive...~metamorphosis~". ~There is
a logic behind the ordered and predictable pattern of prime numbers.
2005
 "Butterfly Primes ... ~let the beauty seep in~". An ordered and predictable pattern for the
prime numbers emerges.
 "The LUFE Matrix: E=mc^{2}...and then some". The
focus is on energy. From Einstein's initial insight into the transformation between mass and energy, we now
have a large number of similar transformations between energy and the other fundamental parameters of
matter...i.e., charge and spin...and their activities within their spacetime environments such as velocity
and acceleration, frequency and temperature, momentum, pressure and force, potential difference, heat and
work, etc. The original PreviewReview Slide Show "Can you say energy 10 different ways?" (see above),
included here, is now further enhanced with a showcase of select LUFE Matrix Supplement examples all
focused on the various forms that energy can take.
2004  "The History of the Universe in Scalar Graphics:
(Simultaneous Birth of Black Holes and the Inflationary Universe at the onset of the Big Bang"). A mostly
graphical supplement to "Dark Matter = Dark Energy (the inverse of): The Conservation of Spacetime by
The Conservation of Force.
 "The LUFE Matrix: Infinite Dimensions
~a room with a view...within a room with a view...within a room with a view~." A new, speculative
journey to account for the multiple dimensions that have informed The LUFE Matrix since its
introduction in 1985. FAQgraphic format.
2003 "DarkDarkLight: Dark Matter = Dark Energy (the inverse of): The Conservation
of Spacetime by The Conservation of Force"
 "The LUFE Matrix: the distillation of SI
units into more fundamentally base units of space and time dimensions" (Short Title: "The
Multidimensional LUFE Matrix
 "The LUFE Matrix Supplement: Examples and Proofs"
2001 Part II below, from 2000, was
rewritten and recast for online publication as a three part series:
 Part 1: "PIN: Pattern in Number...from primes to DNA" A brief primer on visual
patterns found in simple, well known number systems leading into the remarkable number magic
and esthetic beauty of the DNA double helix (axial view) found in Part 2."GoDNA"and
continued in Part 3."SCoDNA".
 Part 2: "GoDNA: the Geometry of DNA (axial view) revealed"
Which came first? The self replicating underlying geometry or the form itself with its
dependence on enzymes, hydrogen bonding and a matching code of bases?
 Part 3: "SCoDNA: the Structure and Chemistry of DNA (axial view)"
Extending "GoDNA" into the realm of structural detail and chemistry forming the composite
design.
2000 "The Geometry of Music, Art and Structure
linking science, art and esthetics,
Part II; selfpublished. The original material for this paper was presented (selfpublished)
at the 1997 solo exhibition at the Montage Gallery, Portland, OR under the title "Patterns
In Numbers: From Prime Numbers to DNA".
1998 "The Geometry of Music, Art and Structure
linking science, art and esthetics,
Part I presented at the Eighth International Conference on Engineering Computer
Graphics and Descriptive Geometry in Austin, TX, sponsored and published by the International Society
of Geometry and Graphics. The original material for this was presented at the 1996 solo exhibition
at the Montage Gallery, Portland, OR.
1991 "The LUFE Matrix: the distillation of SI units into more fundamentally
base units of space and time dimension" (Short Title: "The Multidimensional LUFE Matrix")
with supplement, paper, selfpublished
1987 "Fundamental Constants of Nature: Mass", paper, selfpublished
 "Fundamental Constants of Nature: Ratios", paper, selfpublished
 "Fundamental Constants of Nature: Charge", paper, selfpublished
 "Fundamental Constants of Nature: The LUFE Matrix", paper,
selfpublished
1986 "Mass Variation in the Electron by Photon Absorption & The Inverse
Square Law", paper, selfpublished
 "Expose on Music, Color and the Inverse Square Law", paper,
selfpublished
1985(Online 2008) "L.U.F.E.: The Laymans Unified Field Expose" (a visual guide),
textbookmanuscript, selfpublished

R E S U M É
Education
1970 BS General Science, Oregon State University
1972 MS Cell Biologyincomplete, OSU
1973 MT(ASCP) Medical Technology, Good Samaritan Hospital & Medical Center,
Portland, OR
1973
1978 Medical Research Specialist, Good Samaritan Hospital & Medical Center,
Portland, OR
1998 present New Media=digital tools + IT + the internet
Solo Exhibitions
2008 Lara Sydney Framing Gallery, Portland, OR
2007 Urban Wineworks Gallery, Portland, OR
2007 Lara Sydney Framing Gallery, Portland, OR (2Person Show)
2005 Lara Sydney Framing Gallery, Portland, OR
2001 Lara Sydney Custom Framing Gallery, Portland, OR
1997 Montage Gallery, Portland, OR
1996 American Institute of Architects/ Portland Chapter, Portland, OR
1996 Montage Gallery, Portland, OR
1995 Montage Gallery, Portland, OR
1992 Zero Square Gallery, Portland, OR
1989 Oregon Graduate Center, Hillsboro, OR
1989 Portland Community College, Rock Creek, OR
1988 Beaverton City Hall, Beaverton, OR
1987 Mt. Hood Community College, Gresham, OR
1987 Beaverton City Hall, Beaverton, OR
1987 Beaverton Chamber of Commerce, Beaverton, OR
Rhizome Portfolio/*ArtBase
2015"Metamorphosis: Three States Of Being: PASTPRESENTFUTURE"
2015"The TPISC — MathspeedST — BBSISL Matrix Media Center"
2015"Joshua Tree Series Movie ~ Color Studies ~ The Evolution of Form ~ The Rhythmic Pattern of Numbers ~"
2014"TPISC: INTRO to The Pythagorean — Inverse Square Connection ~A MathspeedST Supplement~"
2014"MathspeedST: The Ubiquitous Information of Numbers"
2013*"Your sFace or Mine? Anonymity"
2013"LightspeedST: LeapFrogging @ The Speed of Light"
2012"AFPOP: A Fresh Piece of Pi(e)...and the √2, too...Fractal  Fractal  Fractal"
2012"Sunspots and Solar Flares"
2011"Brooks (Base) Square (BBS) interactive matrix: Basic (Part I)"
2010"Brooks (Base) Square & The Inverse Square Law (ISL)"
2010"The Geometry of Music Color"
2006"Butterfly Primes"
2004*"Your sFace or Mine?"
2003*"Naughty Physics (a.k.a. The LUFE Matrix)
2002*"HeyUfunknwithmyDNA?"
2001*"RealSurReal...aClone, 2001"
Group Exhibitions (select, nonprofit org.)
2017Shoreline City Hall Gallery, “Beyond the Picture Plane (AR), Shoreline, WA
2016 ArtWorks NW, Umpqua Valley Arts Association, Roseburg, OR
2016 CoCA's Member Show "CoCA 35 Live," digital exhibition, Seattle, WA
2015 ArtWorks NW, Umpqua Valley Arts Association, Roseburg, OR (1st Place Juror’s Award)
2014 CoCA's Member Show "Who Are You?," Seattle Design Center, Seattle, WA
2014 Left Coast Annual Juried Exhibition, Sanchez Art Center, Pacifica, CA
2013 CoCA's Member Show "Collisions," Seattle Design Center, Seattle, WA
2012 30th Annual Visual Arts Showcase 2012, Beaverton Arts Commission, Beaverton, OR
2012 CoCA's Members Show, Seattle Design Center, Seattle, WA
2012 Rhizome ArtBase, http://rhizome.org, "AFPOP: A Fresh Piece of Pi(e)...and the √2,
too...Fractal  Fractal  Fractal", New York, NY
2012 Rhizome ArtBase, http://rhizome.org, "Sunspots and Solar Flares", New York, NY
2011 29th Annual Visual Arts Showcase 2011, Beaverton Arts Commission, Beaverton, OR
2011 Rhizome ArtBase, http://rhizome.org, "Brooks (Base) Square (BBS) interactive matrix: Basic (Part I)", New York, NY
2011 Carkeek Park Outdoor Art Exhibit, "Heaven and Earth 3: Cycles of Return", COCA, Seattle, WA
2011 Maude Kerns Art Center, "Oregon Made For Interiors", Eugene, OR
2010 Rhizome ArtBase, http://rhizome.org, "Brooks (Base) Square & The Inverse Square Law (ISL)" , New York, NY
2010 Rhizome ArtBase, http://rhizome.org, "The Geometry of Music Color", New York, NY
2009 Netart Features 2009, JavaMuseum, Cologne, Germany
2009 27th Annual Visual Arts Showcase 2009, Beaverton Arts Commission, Beaverton, OR
2008 26th Annual Visual Arts Showcase 2008, Beaverton Arts Commission, Beaverton, OR
2008 "Hollywould", 2008 Freewaves 11th Festival of Experimental Media Art, Hollywood, CA
2008 "Welcome the Rain Sculpture Contest", 1st Place Winner, East Multnomah County Soil & Water Conservation District, Portland, OR
2008 AllOregon Art Annual, Professional, juried, Oregon State Fair, Salem, OR
2007 11th Int'l Conference on Information Visualization (IV07), July 37, Swiss Federal Institute of Technology, Zurich, Switzerland, DART gallery
2007 4th Int'l Conference Computer Graphics, Imaging and Visualization (CGIV07), August 1417, KMUTT, Bangkok, Thailand, DART gallery
2007 "Pacific Northwest Art Annual 2007", Cultural Forum, U. of Oregon, Eugene, OR
2007 2006[10th] Japan Media Arts Festival, Tokyo Metropolitan Museum of Photography, Feb 24Mar4, 2007
2007 "Allegories of the Genome", Vancouver, BC, Canadaonline gallery http://www.genomicart.com/
2006 Rhizome ArtBase, http://rhizome.org, "Butterfly Primes...Prejudicial Numbers", New York, NY
2006 10th Int'l Conference on Information Visualization (IV06), July 47, University of London, London, England, DART gallery
2006 Int'l Conference Computer Graphics, Imaging and Visualization (CGIV06), July 2528, Sydney, Australia, DART gallery
2006 "ARTIFICIAL A.GENDER? new media online exhibition:tba
2004 Eurographics 2004, Art Show "Art and Science", Grenoble, France, 30 Aug  3 September, 2004
2004 Rhizome ArtBase, http://rhizome.org, "Your sFace or Mine?", NY, NY
2004 "21 Years of Studios", Cathedral Park Place (invitational), Portland, OR
2003 Rhizome ArtBase, http://rhizome.org, "naughty physics (a.k.a. The LUFE Matrix)", NY, NY
2002 Bellevue Sculpture Exhibition 2002, City of Bellevue, WA
2002 Rhizome ArtBase, http://rhizome.org, "Hey! U funk'n with my DNA?", NY, NY
2002 Net.Art, The Irish Museum of Modern Art, http://www.irishmuseumofmodernart.com
2002 20th Annual Visual Arts Showcase 2002, Beaverton Arts Commission, Beaverton, OR
2001 Net_Working, net.art, CHArt conference and Watershed Digital Cafe, Bristol, UK www.watershed.co.uk/Net_Working
2001 FILE_2001 (Electronic Language International Festival), net.art, Museu da Imagem e do Som,Sao Paulo, Brazil, August 7thSeptember 2nd, 2001. Online all year at: http://www.file.org.br
2001 Rhizome ArtBase, http://rhizome.org, "RealSurReal...aClone, 2001", NY, NY
2000 PICA, "Open Walls" (unjuried), Portland, OR
1997 Beaverton Showcase '97, Beaverton Arts Commission, Beaverton, OR
1996 Beaverton Showcase '96, Beaverton Arts Commission, Beaverton, OR
1995 Maude Kerns Art Center, "5th Sculpture Biennial", Eugene, OR
1995 Maude Kerns Art Center, Womenís Art Triennial, Eugene, OR
1994 Beaverton Showcase '94, Beaverton Arts Commission, Beaverton, OR
1993 Maude Kerns Art Center, "The Silent Child, Art as Healing", Eugene, OR
1992 Kinsey Gallery, Seattle University, Seattle, WA
1991 A.I.R. Gallery, "Choice"(unjuried), New York, NY
1989 Maude Kerns Art Center, "Icons and Idols, A Celebration of Ceremony", Eugene, OR
1989 Justice Center Sidewalk Gallery, Portland, OR
1988 Newport Visual Arts Center, "Nuclear Visions", OCCA, Newport, OR
1988 Beaverton Showcase '88, Beaverton Arts Commission, Beaverton, OR
1988 Annual Juried Art Show, Umpqua Community College, Roseburg, OR
1987 Beaverton Showcase '87, Beaverton Arts Commission, Beaverton, OR
1987 17th Annual Willamette Valley Exhibition Corvallis Art Center, Corvallis, OR
1986 Northwest Artistís Workshop, "On the Job", Portland, OR
1986 Beaverton Showcase '86, Beaverton Arts Commission, Beaverton, OR
1985 Germanow Art Gallery, "Current Visions ë85", JCC, Rochester, NY
1983 Northwest Artistís Workshop, "Description/ Portrayal" (Invitational), Portland, OR
1983 PCVA, "Public Hanging" (unjuried), Portland, OR
1983 Arrowmont School of Arts & Crafts, "The Figure: New Form, New Function", Gatlinburg, TN
1983 "1st Annual Sherbrooke Intíl Painting Salon", Sherbrooke, Quebec, Canada
1981 PCVA, "Public Hanging" (unjuried), Portland, OR
1978 Northwest Artistís Workshop, "Salon de Refuses" (unjuried), Portland, OR
Past solo show theme titles (Paintings and sculpture):
"~breathe~ A Celebration of Women", 2008
"A Void", 2007
"Infinite Dimensions...without borders", 2005
"The EP Series: digitalencaustic with scratchboard", 2001
"Dance Number Appendage: A Surrealistic Look At Patterns in Dance and Numbers", 1997
"Lucy:Contemporary Reflections on Paleonathropologic Findings",1996
"Line.Surface.Volume",1996
"A Search for the Multicultural Mythology of Our Times", 1991
Publication/Presentation:
"The Geometry of Music, Art and Structure...linking the
esthetics of Art and Science" at the 8th ICECGDG (International Conference on Engineering Design
Graphics and Descriptive Geometry, sponsored by the International Society for Geometry and Graphics,
the Japan Society for Graphic Science, and the Engineering Design Graphics Division of the American Society
for Engineering Education; hosted by the College of Engineering, The University of Texas at Austin).1998.
Published in the Proceedings of the 8th ICECGDG, Vol. 2, pg 378, ISGG, Tokyo, Japan, 1998

 


